elizabeth shaw   jewellery objects
  • Home
  • jewellery and objects
    • Diego, Don Tom and Ann 2023
    • Charred Koala - hanging on 2022
    • Radical Localism 2022
    • SHAW & SHAW 2021
    • Precious Places 2020
    • Pincer Grip 2019
    • Hand-Saw-Horse 2019
    • Urban Origins 2019
    • Rotary Wheel Rings 2018
    • Debra Porch and Friends 2018
    • Recycled Narratives 2018
    • Nail Heads 2017 - 2018
    • Mortar Heads 2017
    • Rescued Pets 2017
    • Visions Exhibition 2017
    • Rings for Mary Shelley 2016
    • Yang 杨 + Shaw 肖 2015-2016
    • The Contemporary Jewelry Exchange 2015-2016
    • Sleight of Hand 2015
    • Why Jewellery? 2015
    • Greensmith 2014+2016
    • Icons 2014
    • Tool 2011 & 2012
    • Inundation 2011
    • Evidence 2010
    • The Miniature Museum 2009
  • studio
  • bio
  • contact
  • blog

Jewellery and Objects


It is important to me to know where the materials I use come from. My work frequently starts with a found fragment of something broken. I work with the narrative that the material evokes and embellish it with the addition of other materials to give it a new story.
I prioritise the use of recycled, ethically sourced and reused materials.
  • Home
  • jewellery and objects
    • Diego, Don Tom and Ann 2023
    • Charred Koala - hanging on 2022
    • Radical Localism 2022
    • SHAW & SHAW 2021
    • Precious Places 2020
    • Pincer Grip 2019
    • Hand-Saw-Horse 2019
    • Urban Origins 2019
    • Rotary Wheel Rings 2018
    • Debra Porch and Friends 2018
    • Recycled Narratives 2018
    • Nail Heads 2017 - 2018
    • Mortar Heads 2017
    • Rescued Pets 2017
    • Visions Exhibition 2017
    • Rings for Mary Shelley 2016
    • Yang 杨 + Shaw 肖 2015-2016
    • The Contemporary Jewelry Exchange 2015-2016
    • Sleight of Hand 2015
    • Why Jewellery? 2015
    • Greensmith 2014+2016
    • Icons 2014
    • Tool 2011 & 2012
    • Inundation 2011
    • Evidence 2010
    • The Miniature Museum 2009
  • studio
  • bio
  • contact
  • blog