elizabeth shaw   jewellery objects
  • Home
  • jewellery and objects
    • Fidgeting Eyes 2024
    • Diego, Don Tom and Ann 2023
    • Charred Koala - hanging on 2022
    • Radical Localism 2022
    • SHAW & SHAW 2021
    • Precious Places 2020
    • Pincer Grip 2019
    • Hand-Saw-Horse 2019
    • Urban Origins 2019
    • Rotary Wheel Rings 2018
    • Debra Porch and Friends 2018
    • Recycled Narratives 2018
    • Nail Heads 2017 - 2018
    • Mortar Heads 2017
    • Rescued Pets 2017
    • Visions Exhibition 2017
    • Rings for Mary Shelley 2016
    • Yang 杨 + Shaw 肖 2015-2016
    • The Contemporary Jewelry Exchange 2015-2016
    • Sleight of Hand 2015
    • Why Jewellery? 2015
    • Greensmith 2014+2016
    • Icons 2014
    • Tool 2011 & 2012
    • Inundation 2011
    • Evidence 2010
    • The Miniature Museum 2009
  • studio
  • bio
  • contact
  • blog

New Bracelets by Nicolas Estrada

3/5/2021

0 Comments

 
I was happy to have two of my bracelets selected for inclusion in Nicolas Estrada's new book New Bracelets. This is the fourth book in the series, it was preceded by New Brooches, New Rings and New Necklaces. 
​
ISBN: 9788417412500
Picture
My works included are Nail head Bracelet, found nails, steel wire, reused sterling silver and Links Bracelet (bone), found metal (assorted washers and bits with holes), reused and recycled sterling silver. Thank you to Michelle Bowden @visuall for taking the print quality photos.

The book is now available in Australia from Australian distributors Booktopia and at quality bookshops.
0 Comments

Why Jewellery? 2

14/6/2017

0 Comments

 
Picture
Elizabeth Shaw. Nail Head Ring. 2017. Image: Michelle Bowden.
Why Jewellery? 2 is the second in a series of exchange exhibitions between Queensland College of Art Griffith University and Hong Kong Baptist University. The exhibition features works from staff and selected current third year students and recent graduates who responded to the question "Why Jewellery?". The idea for the exhibition developed following conversations I had with Dr Ching Sze Yin, Cicy the head of the Jewellery studio when I was visiting HKBU. We held the first exhibition in the series in 2015, the Why-Jewellery? website has images and information from both exhibitions.

I see Why Jewellery? as an important prompt for our students and graduates to interrogate their ideas about jewellery through their own work and through viewing that of their peers. It is a great opportunity to exhibit their works in an international exhibition and to develop a understanding of other artists' motivations.   

The exhibition opened in the Project Gallery at QCA on 14 June, and despite heavy rain, and the university break, the exhibition attracted a good crowd. 
Picture
Website: http://www.craigstewartimages.com Facebook Page: https://www.facebook.com/cstewphotos/
0 Comments

Radical Jewellery Makeover Brisbane #2

19/12/2016

4 Comments

 
Picture
Elizabeth Shaw, 2016, RJM Earrings, recycled and reused silver and semi precious stones. RJM Mexico Ring, silver. Image: Faun Photography.

​This is a pre Christmas exhibition with a difference. All of the works exhibited have been made from materials retreived from donated jewellery as a part of the Radical Jewellery Makeover.

The Radical Jewellery Makeover is an educational initiative of Ethical Metalsmiths and involves a call to the public to donate their unwanted jewellery. The donations are sorted and categorised to be deconstructed and become the raw materials to be reworked by a team of jewellers. The resulting works are heavily influenced by the donated materials, though the donors may no longer be able to recognise any elements of what they contributed. The jewellers get to work with materials they don't usually use and this proves an inspiration and challenge to develop new works that add value to the materials.

My contact with the Ethical Metalsmiths started in late 2006 when I emailed 
Christina Miller. I was in the process of making changes to the Jewellery Program at QCA and I was keen to talk to academics and researchers with shared interests. Christina was the first I found and we began conversing by email and mail. The conversations led to Christina and her collaborator Susie Ganch visiting QCA to host a Radical Jewellery Makeover in 2010. This was to be the first international RJM and the 4th in the ongoing series of the travelling community mining and recycling project that draws public attention to the creativity and skills of local jewellery designers, reveals the stories behind our personal collections and encourages re-consideration of our habits of consumption. I joined Susie and Christina to deliver an RJM in New Mexico in 2011. The 2016 Brisbane RJM is the second to be hosted in Australia and I have led it with the assistance of Clare Poppi a QCA Masters candidate. 
Picture
Some of the donated jewellery.
Picture
Xiaohui Yang, 2016, RJM Brooch, silver, stone, brass and aluminium. Image: Faun Photography.
Picture
Elizabeth Shaw, 2016, RJM Rings, recycled and reused silver and glass beads. Image: Faun Photography.
Picture
Clare Poppi, 2016, RJM Earrings, recycled sterling silver and wooden beads. Image: Faun Photography.
Picture
Nellie Peoples, 2016, RJM Brooch, silver, steel. Image: Faun Photography.
Picture
Elizabeth Shaw (L) Catherine Large (R), 2016, RJM Rings, 18ct Gold. Made from the same ring. Image: Faun Photography.

​The jewellers who are exhibiting RJM works in the current exhibition are: Alicia Lane, Alison Bruce, Catherine Large, Chloe Healy. Elizabeth Shaw, Juliana Platt, Katie Stormonth, Kierra-Jay Power, Lynda Shale, Melissa Stannard, Mia Wells, Nellie Peoples, Robyn Pell, Vivien Bedwell and Xiaohui Yang. Many more have been involved in the project. A big thank you to Lisa Brown from Faun Photography for documenting a lot of the jewellery made.
Picture
4 Comments

    Author

    these are occasional posts about the things that are inspiring me, or that are happening around.

    Archives

    August 2022
    January 2022
    May 2021
    September 2020
    November 2018
    January 2018
    June 2017
    May 2017
    December 2016
    May 2016
    April 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    July 2014

    Categories

    All
    Art Bracelets
    Art Jewellery
    Art Jewelry
    Asia Pacific
    Australian Jewellery
    Australian Landscape
    Australia Short Course Awards
    Blindside
    Book
    Brisbane Jewellery
    Cassandra Lehman
    Catherine Large
    Clare Poppi
    Contemporary Jewellery
    Contemporary Jewelry
    Curator
    Earrings
    Elizabeth Shaw
    Elizabethshaw
    Ethical Jewellery
    Ethical Metalsmiths
    Exhibition
    Flux Fair Luxury
    Garland
    Glasshouse Port Macquarie
    Grafton Regional Gallery
    Greg Valerio
    Helen Wyatt
    Hong Kong Jewellery
    Indonesia
    Indonesian Jewellery
    Inhabiting Space
    Jewellery
    Kristina Gittins
    Larissa Waters Stop Adani Earrings
    Lina Villa
    Lizshaw
    Maddison Bygrave
    Mchelle Obama's Necklace
    Mia Wells
    Nellie Peoples
    New Bracelets
    Nick Ashby
    Nick Ashby Art
    Niomi Sands
    Objects
    Orsola De Castro
    Oven Mitt
    Peter Crump
    Political Jewellery
    Radical Jewelry Makeover
    Radical Localism
    Rebecca Ward
    Recycled
    Recycled Narratives
    Redlands Art Gallery
    Reuse
    Ring
    Samantha Rose
    Sculptural Ring
    Sense Of Place
    September Rose
    Shaw
    Silver Earrings
    Skulls
    Soap Collective
    Suffragette Jewellery
    Ute Decker
    Vipa Designs
    Why Jewellery

    RSS Feed

  • Home
  • jewellery and objects
    • Fidgeting Eyes 2024
    • Diego, Don Tom and Ann 2023
    • Charred Koala - hanging on 2022
    • Radical Localism 2022
    • SHAW & SHAW 2021
    • Precious Places 2020
    • Pincer Grip 2019
    • Hand-Saw-Horse 2019
    • Urban Origins 2019
    • Rotary Wheel Rings 2018
    • Debra Porch and Friends 2018
    • Recycled Narratives 2018
    • Nail Heads 2017 - 2018
    • Mortar Heads 2017
    • Rescued Pets 2017
    • Visions Exhibition 2017
    • Rings for Mary Shelley 2016
    • Yang 杨 + Shaw 肖 2015-2016
    • The Contemporary Jewelry Exchange 2015-2016
    • Sleight of Hand 2015
    • Why Jewellery? 2015
    • Greensmith 2014+2016
    • Icons 2014
    • Tool 2011 & 2012
    • Inundation 2011
    • Evidence 2010
    • The Miniature Museum 2009
  • studio
  • bio
  • contact
  • blog